Free Lyrics 2026

10cc ~ Flying Junk


Oo he's a sly one He's a razamataz man He flew in from singapore On a flying junk man Oo he's a devil Oo and the devil's gonna bring you down Oo he's a stalwart With a heavy load on He's got a finger in everyone's pie And he's got what you want Oo he's a salesman Oo and his goods are gonna bring you down He's never got the stuff If you ever come to him without money He hasn't got the time For the people who are down on their knees But if the price is right You won't be asking him where it came from Oo he's a remnant >from the swingin' sixties He pushed his load down the kings road To the chelsea potter Oo he's a snow job Oo and his shovels gonna cover you more free lyrics

Oo he's a sly one
He's a razamataz man
He flew in from singapore
On a flying junk man
Oo he's a devil
Oo and the devil's gonna bring you down
Oo he's a stalwart
With a heavy load on
He's got a finger in everyone's pie
And he's got what you want
Oo he's a salesman
Oo and his goods are gonna bring you down
He's never got the stuff
If you ever come to him without money
He hasn't got the time
For the people who are down on their knees
But if the price is right
You won't be asking him where it came from
Oo he's a remnant
>from the swingin' sixties
He pushed his load down the kings road
To the chelsea potter
Oo he's a snow job
Oo and his shovels gonna cover you

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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